Saw this, and thought it very spot-on. ************************* The Improvement by John Ashbery
Is that where it happens? Only yesterday when I came back, I had this diaphanous disaffection for this room, for spaces, for the whole sky and whatever lies beyond. I felt the eggplant, then the rhubarb. Nothing seems strong enough for this life to manage, that sees beyond into particles forming some kind of entity— so we get dressed kindly, crazy at the moment. A life of afterwords begins.
We never live long enough in our lives to know what today is like. Shards, smiling beaches, abandon us somehow even as we converse with them. And the leopard is transparent, like iced tea.
I wake up, my face pressed in the dewy mess of a dream. It mattered, because of the dream, and because dreams are by nature sad even when there's a lot of exclaiming and beating as there was in this one. I want the openness of the dream turned inside out, exploded into pieces of meaning by its own unasked questions, beyond the calculations of heaven. Then the larkspur would don its own disproportionate weight, and trees return to the starting gate. See, our lips bend.
And all the line-breaks were munged -- my apologies, but you'll need to hunt up the orginal poem at http://www.favoritepoem.org/poems/ashbery/index.html
Saw this, and thought it very spot-on.
ReplyDelete*************************
The Improvement
by John Ashbery
Is that where it happens?
Only yesterday when I came back, I had this
diaphanous disaffection for this room, for spaces, for the whole sky and whatever lies beyond. I felt the eggplant, then the rhubarb. Nothing seems strong enough for
this life to manage, that sees beyond into particles forming some kind of entity—
so we get dressed kindly, crazy at the moment. A life of afterwords begins.
We never live long enough in our lives to know what today is like. Shards, smiling beaches,
abandon us somehow even as we converse with them. And the leopard is transparent, like iced tea.
I wake up, my face pressed
in the dewy mess of a dream. It mattered,
because of the dream, and because dreams are by nature sad even when there's a lot of exclaiming and beating as there was in this one. I want the openness
of the dream turned inside out, exploded into pieces of meaning by its own unasked questions,
beyond the calculations of heaven. Then the larkspur would don its own disproportionate weight, and trees return to the starting gate. See, our lips bend.
And all the line-breaks were munged -- my apologies, but you'll need to hunt up the orginal poem at http://www.favoritepoem.org/poems/ashbery/index.html
ReplyDeleteThat's what happens when you try to steal a few winks.
ReplyDelete